Film Opening Attraction
There
are many key aspects to how a film opening can attract an audience; this can be
done by referring to a presenter and a number of successful directors from the
documentary of Watching.Firstly,
Thomas Sutcliffe believes that “films need to seduce their audience into
long-term commitment. While there are many types of seduction, the temptation
to go for an instant arousal is most irresistible.” By this, Sutcliffe means
that the opening of a film must immediately capture it’s audiences’ attention
and leaving them wanting more out of the film. However, according to Jean
Jacques Beineix he
believes there are risks of instant arousal which are: once their intrigued, you have to satisfy their needs – it needs to be
consistent, this makes it harder because the audience will have high
expectations from the opening but may be later let down.
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Thomas Sutcliffe |
Secondly,
it’s stated that “a good beginning must make the audience feel that it doesn't know nearly enough yet, and at the same time make sure that it doesn’t know too
little.” In my
opinion, I agree with this because it gives the audience a hint of what the
storyline is about – creating suspense and interest. However, if it gives away
too much they wont be able to stay intrigued as they can guess what happens
next. Moreover,
critic Stanley Kauffmann describes a ‘Classic Opening’ to be
recorded through the city, up to the building, into the window, in the room,
through the door and finally into the room where we meet our main character.
It overall shows the film in an in-intrusive way.Another
way we see an attractive film opening is of Kyle Cooper’s title sequence to the
film Seven. This can be seen as effective because during his title sequence the
words and letters fade in and out, the credits that were lowercase intrigued
the audience as it’s not
the typical way. Also, the close-ups make it mysterious and captivates the
audience. The music is also dramatic, yet creepy which I believe is
successful as it creates a jumpy feeling for the audience.
Furthermore, referring to Orson Welles
opening to the film A Touch of Evil we can tell that he wanted to create an
effect of suspense and curiosity. Sounds like explosions had a massive effect
because it was unexpected. He made out as if people were having a casual day,
then out of nowhere a car explosion occurred; leaving the audience thrilled.
However, Universal Studios played a huge role in ruining this for Orson Welles
as they put the credits over the title sequence. Additionally,
some opening tend to attract an audience with the of a “a favourite
trick of Film Noir.” This is when the film begins with the ending, ad the rest
of film is a build up of how it got to the ending that was shown. This can be
effective because it creates suspense, however could be seen as difficult
because the audience already knew what happens at the end.Finally,
the film The Shining highly creates suspense for many reasons; one being that
the camera angles that were used make us feel like predators, which may
indicates mystery or murder Also, the music was quiet and seemed almost like a
lullaby – fooling the audience.

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