Below is pictures of the draft storyboard for the title sequence.
Shot-types:
There will be about 8 close-up shots on the first scene. These will be:
- A close-up shot on the girl's newspaper of a recent Syrian event being tossed into her bag.
- A close-up shot of the girl's boots to show her walking followed by a match-cut of her upper body being shown.
- Another close-up shot is the small bowl with little coins inside to show her past circumstance.
- A close-up shot of her giving the bag of food to the beggar.
- Close-up shots of her sad facial expressions when she remembers her same position in the past.
- A newspaper with printed Syrian disaster events.
- A bag of food.
- A small bowl.
- A few coins; mostly 20p and 50p's
- There will be a dramatic, sad soundtrack at the beginning, something like the "Titanic" soundtrack.
- The Foley sounds there will be are:
- The sound of the coins rattling
- The sound of the newspaper page being turned
- The sound of the beggar crying
- The crowd noise outside and in the cafe.
In this other scene, there will be mainly medium shots to show the location and what the characters are doing.
Shot types:
- 3 close-ups of the facial expressions to show her disappointment/sadness
- 3 over-the-shoulder shots when she is speaking to the guy
- 5 medium shots when she is praying
- 3 wide angles to show the setting of the office and to show that the guy she is seeking help from is a powerful character
- A suit for the guy
- Smart skirt and blouse for the secratary
- Ripped, casual clothes to show the girl (the beggar is how she was in the past)
Mise-en-scene:
Office equipments such as:
- Laptop/computer
- Notebook
- Pens
- Phone
- Desk and chairs
There will be no scores here to emphasis the impotance of the conversation. However, there will be Foley sound effects such as the sounds of:
- Pen writing on paper.
- The guy drinking his coffee
- The sound of the phone ringing
Other sound will be mostly dialogue coming from the secretary, the boss and the then beggar, the syrian girl.
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